Posts in feature
Behind The Lens

On the subject of photography, Henri Cartier-Bresson writes, “To take photographs is to hold one's breath when all faculties converge in the face of fleeing reality.” The current climate is testament to a different kind of fleeing reality; the decay of our natural environment. Marnie Hawson’s photography converges storytelling with social responsibility.

“As a former environmental scientist, I'm hardwired to tread lightly in everything I do,” says Marnie. She was raised on acreage and was quickly absorbed by the romance of the Australian bush. “I was rarely allowed to watch TV and instead spent hours outdoors making cubbies out of branches, exploring gorges down the back of our property and hunting for yabbies in the dams.”

As Marnie explored the natural landscape, she developed a curious eye for detail while fine tuning a purpose-driven philosophy. At the beginning of her photography career, Marnie captured “an honest trade,” a series of portraits highlighting twenty trades. “They are all what I considered honest trades.” She explains, “Honest trades involve manual labour and hard work. To me, there is far more value in something that has had love and sweat poured into the production of it.” In a striking set of portraits titled Farrier, the blacksmith’s face disappears in a cloud of smoke as heats the horseshoe.

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St. Mike

A spinning Curtin Mayfield record booms in the foyer, as Michael Lelliot dawdles between portraits of Hells Angel bikers, religious icons and bottles of rum. Mike, as his mates know him, has a way of making chaos feel natural. 

“Should we take the Rolls Royce out drifting?” smiles Mike. A contagious larrikin, Mike has the figure of an NBA star, wears stick-n-poke tattoos and maintains a bushranger’s swagger. 

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It Takes Two

Synergy. If there is one word to describe the partnership between Tony De Marco and Theresa Albiloi it is synergy. Business and life partners, this dynamic couple met later in life, yet together they have already accomplished more than many would in a long lifetime. We meet them at The Oxford, a large former guest house they recently refurbished and added to their portfolio of luxury accommodation properties, The Houses Daylesford. The Oxford is massive and sleeps 24. The walls are lined with over 90 original charcoal drawings by artist Derek Erskine. The main room is dominated by an impressive non-sectional double-sided upholstered banquette. "It was made for a house in Caulfield," says Theresa. "It cost them tens of thousands of dollars." Tony jumps in, "we paid a lot less than that," he says with a laugh. "It took a lot of work to reassemble when it arrived."

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Built by Hand

Nick Andrew is a Beaumaris boy. He has that air of a kid who grew up by the sea. He has limbs slightly worn from battling against the windsurfer and a big upfront voice from talking against the wind. But Nick was an observant kid and took in all those canter levered block houses in the sand dunes as he rode around on his BMX. Those preposterous Australian modernist creations with floor to ceiling windows, flat rooves and mixed mediums where brick, steel, wood and aluminium collided to create a new form of Australian architecture. He saw it all.

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Back to Booktown

Back in 2007 the millennial drought was well under way. The country was dry and farming communities were hurting. Clunes, the historic town 40km west of Daylesford, was suffering. Shops were closing and there was an uneasy sense of decline in the community. A group of locals put their minds together and decided to gather some book traders and turn Clunes into a mini book fair for a day. They expected a few hundred people. Six thousand showed up.

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Lost in Hepburn

There are some Hepburn locals who do not believe the spring waters have healing powers. Since the Swiss Italians first laid eyes on the mineral rich springs bubbling up from the earth this little warren of forest and gullies has been a magnet to those who wanting to drink the water or to bathe in it…

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